When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
A young woman dressed in a wedding gown flies through the air, her eyes closed. In one hand she grasps a portrait of the back of a man's head (her groom?), and the same rope that binds her wrist and upper arm appears to be keeping her aloft. The image grows more worrisome yet when you see that she is suspended above an open grave with a shrouded corpse in it, while a gigantic cracked egg sits near the tomb. This is a typically complex drawing by 29-year-old Iranian artist Asal Fallah, one in a group of work she calls "My World." The woman in the wedding dress appears over and over again, and whether these are self-portraits or represent something more universal, the images exert considerable power. Birds are another recurring motif in Fallah's work, often appearing as larger-than-life guardians or with a menagerie of other creatures (snakes, fish, ants, snails) in elaborate dreamscapes. Deliberately open to interpretation, Fallah's black-and-white renderings still weave a poignant commentary about the role of women not only in her native Tehran but in any society where any aspect of life is regulated and choice is not so free.
Jan. 1-15, 2013
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"