When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Often a drifting virtuoso in the years before finding his Spider-Man gig, with Drag Me to Hell director Sam Raimi defaults to the horror romps that made his name (namely, the Evil Dead trilogy). Drag Me has a serendipitously timely victim: Playing a bank loan officer, Alison Lohman bears the brunt of the films supernatural humiliations. Lohmans Christine Brown is putting the finishing touches on her self-reinvention as a young professional: eye on a promotion, renting L.A. hillside real estate, and heading toward marriage with an upmarket boyfriend. One day, smothering her conscience to impress her boss, Christine refuses to take pity on an ancient gypsy woman about to lose her home (Lorna Raver, with a malevolent dead eye, horking up neon phlegm). The hag hisses a hex, and Christines life plan is derailed by a chain of diabolical interventions: She spouts a geyser nosebleed at work, is ambushed by hallucinations while meeting potential in-laws, and starts studying animal sacrifice. A visit to a psychic confirms Christines had a demon sicced on her and, if it isnt appeased in time, shell get the title treatment. Still, her getting bonged on the head with a cross for forgetting the Golden Rule doesnt indicate a particularly nuanced moral vision. Does Raimiwho began his career on a shoestring in the Tennessee woods and now commands $300 million bonanzasactually believe professional ambition should be punished with eternal damnation?
Sept. 3-5, 7:15 & 9:25 p.m., 2009
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"