When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
An inconspicuous doorway off Valencia Street leads to a treasure trove of zines and 10,000-plus hours of sound and video recordings from the 1960s to the 1990s, all charting the progressive history of the Bay and its effect on global radical movements.
The Day He Arrives, the prolific Hong Sang-soo's 12th film, begins with Sungjoon (Yu Jun-sang), a former film director now retired to a professorship at a provincial school, returning for a visit to Seoul, his former home. Failing to connect with a friend, Sungjoon instead gets embarrassingly blotto and drops in unannounced on an ex-girlfriend, Kyungjin (Kim Bo-kyung). He tearfully confesses to his dismal loneliness without her, stays the night, and leaves the next morning without betraying even a trace of the prior evening's vulnerability. Sungjoon goes out drinking on the three nights that follow, now with his friend Youngho (Kim Sang-joong) and Youngho's pretty colleague Boram (Song Sun-mi) in tow. They frequent an otherwise empty bar where the proprietress, Yejeon, bears a Xerox resemblance to Kyungjin and, soon enough, falls into bed with Sungjoon as well. (Bo-kyung plays the double role.) The name of Yejeon's bar is translated as "Novel," an ironic pun, for there is little novelty to the schedule of Sungjoon and his circle, so little progress between their evenings that they could almost be shuffled into any order. Conversational cues are revisited. Each night, Sungjoon plays the same piece on the piano and silently takes melancholy text messages from Kyungjin. Sungjoon and friends are mostly beer drinkers, but the cumulative effect of The Day He Arrives is closer to a night with Soju: You empty the bottle and think it has affected you not at all ... right until it's time to stand up and head home.
May 4-10, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"