When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
We will dispense with the double entendres: Carol Doda, who we lost in November, was a San Francisco hero who will be rightly celebrated and remembered as long as the town she helped create still stands, the torch held aloft along Broadway and kept alight in neon.
Combine Poe's The Masque of the Red Death with Fellini's La Dolce Vita, persuade most of your actors to show off their peens, then stage the whole thing as a '30s musical revue. You might end up with something like Vice Palace, but you'll be lucky if your version is anywhere near as much fun to watch. Thrillpeddlers' latest revival of a musical by the Cockettes — the ragtag band of gender-fucking misfits who enjoyed a heyday in San Francisco from 1969 to 1972 — isn't quite as solid as Pearls Over Shanghai, the company's long-running foray into psychedelic burlesque. But it's still a good-natured evening of minimally polished, unapologetically trashy entertainment. It's back for a limited winter run after its fall 2011 debut. (If you're uncomfortable with the prospect of seeing a naked dude pull decorative ribbon out of his ass, then you might want to choose another show.) Vice Palace was the last musical performed by the Cockettes before the troupe disbanded, and some of the numbers demonstrate a cleverness, even a compositional maturity, that wouldn't have been out of place when Cole Porter and Jerome Kern ruled Broadway. Of course, Cole Porter never wrote a song called "A Crab on Uranus." Oh, well — his loss, I guess.
Fridays, Saturdays. Starts: Jan. 27. Continues through March 3, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"