When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
William Gibson is not the first science fiction author to be given the hyperbolic label of prophet -- writing in the mid-1800s, Jules Verne foretold the coming of electric submarines, news broadcasts, solar sails, lunar modules, and video conferencing, which he charmingly called “phonotelephote.” But, for the 13th generation, Gibson was both prescient cartographer -- introducing “the matrix,” net consciousness, and virtual sex -- and lexicographer. Gibson’s Sprawl trilogy gave us a new vocabulary (cyberspace, surfing, jacking in, neural implant); his steampunk Bridge trilogy gave us a dystopic view of late-era capitalism (resulting in village settlements on the Bay Bridge); and his Blue Ant trilogy gave Gibson his first spot on the mainstream bestseller list. Along the way, Gibson has been hired to provide perspective on subjects ranging from the draconian drug-trafficking laws of Singapore to poet Jorge Luis Borges. While Gibson is a stridently reluctant essayist, it’s easy to see from the recently published collection, Distrust That Particular Flavor, why magazines have been so eager for his voice -- he is a keen observer who marvels. And why he accepts. Many of these assignments have inspired stories, which proves speculative fiction is about extrapolation, not soothsaying. As Gibson said in a 2003 interview for The Economist, “The future is already here -- it’s just not evenly distributed.”
Tue., Sept. 4, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"