When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Thai chef Kasem "Pop" Saengsawang owns several solid restaurants in San Francisco, including the breakfast-centric Sweet Maple and the Asian fusion spot Kitchen Story, but his newest project Farmhouse Kitchen is the one to miss at your peril.
The many fine insights in the Asian American Theater Company's latest play manage to overshadow the distractions of a clunky two-and-a-half-hour production. Deep in Wyoming backcountry, Travis and Chester have their ideas about what it means to be Asian men in a white man's world called into question by the arrival of Veronica Lee. At the heart of playwright Michael Golamco's sweet, charming play are some refreshing and funny takes on how Asians struggle to define and retain their sense of self. Wylie Herman is particularly touching as a cowboy drawn to Veronica, and Jose Saenz throws himself with reckless abandon into the role of an Asian man looking to find some identity any identity to proudly call his own. The delicacy of Golamco's script, however, is almost crushed under the weight of lengthy blackouts and awkward set changes; where the play should flow, it creeps and stutters along. But if you're willing to forgive them their production flaws, there is a story both unique and timeless waiting to be told.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"