When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The most clichéd things you can possibly associate with San Francisco are the Golden Gate Bridge and fog over the bay, but looking out at the bridge in a thick fog from Kirby Cove, with the skyline of the city peeking through, is just as magical as it is stupidly clichéd. Although you have to make your way to the Marin Headlands to experience this view, the Kirby Cove campgrounds are well worth the adventure into that home base of the anti-vaccination movement, just for their gorgeous view of the city.
First-time writer-director Alice Rohrwacher's minutely observed, emotionally complex Corpo Celeste would be a treat in any season, but it's particularly refreshing amid the summer-movie bombast. An anti-spectacle in every way, the film focuses on 13-year-old Marta (Yle Vianello, a nonpro), who, with her mother (Anita Caprioli) and sisters, has returned to Southern Italy after spending most of her life in Switzerland. Marta, a shy, dreamy, but fiercely observant innocent, is shuffled into Catholic confirmation class as a means of integrating into her new surroundings. The experience does little to cushion her social awakening, let alone encourage a spiritual one: The local priest (Salvatore Cantalupo), a cynical careerist, pours all his effort into finagling a transfer, while the dry dogma of the church itself—no matter how popified for the kids—is cruelly oblivious to Marta's inquisitiveness. As her uncle says and the adult parishioners' rote faith attests, confirmation is "something you go through and forget." The loss is theirs—by Corpo Celeste's ambiguous climax, it seems possible that Marta is bonafide saint material. Rohrwacher almost overplays her metaphors (as when the father's boyhood-village crucifix slides over a cliff en route to its new home), but her understated characterizations, cinematographer Hélène Louvart's rapturous range, and especially Vianello's eerie grace combine to make Corpo Celeste the ideal cinematic antidote to the summer doldrums.
June 29-July 5, 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"