When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
In 1974, the band Television had a weekly "residency" at a skuzzy biker bar called CBGBs, and Patti Smith wrote one of their first reviews. After rhapsodizing about Tom Verlaine's swanlike neck, she turned to Richard Hell — his look, his moves, his attitude: "If Hell loses balance he'll lay out and play bass flat on his back. No hesitation. Wrong note so what." That was it. For Malcolm McLaren, Hell was the embodiment of disaffection and disgust amidst the lingering hippie haze. When McLaren returned to London, the Sex Pistols emerged looking like a certain East Side rocker – short hair, torn T-shirt, wrong note so what. It was no secret. In the Met's upcoming exhibit, "PUNK: Chaos to Couture," the first gallery, the first minutes of punk, will be aptly represented by Richard Hell, the man who identified the "Blank Generation." The album by Richard Hell and the Voidoids which bears that name stands as one of early punk's most soulful, literate, and brazen pieces of ire. But Hell split the music scene a few years later to write novels. So, in our opinion, his autobiography is long overdue. Like his songs, I Dreamed I Was a Very Clean Tramp is more poetic and compelling than your typical rock memoir. He invokes love and catastrophe – drugs, women, bands — without apology or malice, reminding us how New York smelled, how punk rock felt, and where the music lives in a well-turned phrase.
Mon., March 25, 7 p.m., 2013
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"