When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Once famous throughout the league as a haven for misfits and rejects looking to resurrect their careers, the Raiders have for the last decade or more made an art from out of epically wrong personnel decisions.
If it’s June and after dark, and you see women tottering around Civic Center in gowns with color palettes from silent films and their dates’ tuxedo jackets on their shoulders, you’ve probably wandered upon the San Francisco Symphony’s biannual Black and White Ball. Preceding by a decade the identically named “pinnacle of New York’s social history” (Truman Capote’s famously lavish party at the Plaza Hotel), San Francisco’s Black and White Ball adds philanthropy to its hedonism — for more than 50 years the ball’s proceeds have supported the symphony’s robust music education programs, which benefit some 75,000 children each year. Ten bands on five stages, outdoors as well as inside the War Memorial Opera House and Davies Symphony Hall, perform music from each of the five decades of the ball’s existence. Paul Simon headlines; other notable acts include Cyndi Lauper, the Wallflowers, “cybersoul songstress” Janelle Monae, The Drifters, and Dr. Bobby Rodriguez LatinJazz Group. Higher-priced tickets purchase entry into various VIP dinners, but even the standard ticket price will keep you well-fed, boozed, and boogeying late into the night after the “midnight surprise” is revealed. (Are we the only ones hoping Gavin Newsom and Willie Brown will return for a mayoral freestyle rap-off?)
Sat., June 2, 8 p.m., 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"