When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
With neighborhood institutions like the 21 Club closing to make way for yuppie cocktail bars, Brown Jug remains an oasis — and one that takes full advantage of the state's operating hours window, 6 a.m. to 2 a.m. daily.
Dedicated to "the black people who made themselves heard," the film Wattstax documents a 1972 concert of Stax Records artists (some of the most scintillating live soul acts on the planet) at the Los Angeles Memorial Coliseum. The event was dubbed "the black Woodstock," and though peace, love, and music is palpable in the reels, the concert had a more clearly defined purpose: to commemorate the 65 Watts riots and the progress made by the black community in the seven years that followed. MC Jesse Jackson refers to it as the shift from "burn baby burn" to "learn baby learn." His impassioned oration alone (which Public Enemy would later sample) demands repeat viewing. And while a documentary of the show would have been transcendent -- what with the superbad soul delivered by the Staples Singers and the Bar-Kays -- much of the movie's power lies in the candid, conflicted words of community members detailing life, love, and the struggle in Los Angeles and America as a whole. Additional performances, such as the Emotions' singing in a church and Johnnie Taylor's fevered club set, make the film less focused on the event and more, as Richard Pryor puts it, "a soulful expression of the black experience."
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"