When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Once famous throughout the league as a haven for misfits and rejects looking to resurrect their careers, the Raiders have for the last decade or more made an art from out of epically wrong personnel decisions.
When we think of classic glamor pencil skirt, gloves, and arched-eyebrow glamor, the kind that would have looked askance through perfectly lined eyes and French milliners netting at you and your holey shoes and yoga pants the image we conjure probably has its roots in the work of legendary photographer Irving Penn. His austere brand of elegance dominated fashion photography throughout the 1940s and 50s, when he shot more than 150 covers for Vogue. The less-celebrated period of his career, however, is one he pursued independent of the fashion juggernaut, and one that chafed against the narrow concept of beauty extolled in his day job. Radical Beauty is an exhibit of this work from varied experiments spanning 60 years. Before United Colors of Benetton, before Doves Campaign for Real Beauty, before RuPaul, Penn was already exploring just how vast and varied the realm of human beauty might be. He shot a series of images in the late 1940s of women who were overweight (by the aesthetic standards of the time and, probably, those of modern medicine, too), in postures more Venus of Willendorf than Marilyn Monroe or even Rubens. He photographed laborers in London, Paris, and New York in their work clothes. In Africa he captured people in their native costume and toilette, including Dahomeyan mudscarring. He often directly subverted the very idea of physical beauty by photographing models with their faces covered by fabric, fruit, hair, or deliberately misapplied makeup. Penns concept of beauty, if he ever embraced only one, was not prescriptive, exclusive, or conventional.
Tuesdays-Fridays, 9:30 a.m.; Saturdays, 10 a.m. Starts: June 30. Continues through Aug. 20, 2011
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"