When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
It's not hard to see why Yasmina Reza's play Art caused such a fuss when it appeared in Paris, London, New York, and just about everywhere else from the late 1990s onward. The tightly wound, bittersweet comedy in which three middle-aged friends, Yvan, Serge, and Marc, almost come to blows over a painting, is at one level about people's perceptions of art, and at another, the nature of human relationships. The Damien Hirst-size hype that surrounded the play a few years ago makes staging it today feel a bit like arriving at a costume ball just as the last guests are leaving, but SF Playhouse puts on a memorable afterparty. In many ways, Art is tailor-made for this company: Bill English, SF Playhouse's artistic director (who plays the role of Serge in the production), also happened to design some of the most stylish sets in the area. The look for Art, which English created, is a study in clean angles and severe, understated elegance, like the interior of a Gucci store. The play is also a wonderful chamber piece, perfect for performance in SF Playhouse's intimate yet airy space, by a trio of compelling actors. Keith Burkland is adorably shabby as the henpecked Yvan; dressed in a conservative blue pinstriped suit, Louis Parnell (Marc) is suitably outspoken and cynical; and English comes off as suave and ever so slightly smarmy as Serge, the dermatologist who buys the painting that sets the whole thing off. Director Robin Stanton's painterly blocking adds the final touch to this sublimely composed canvas.
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"