When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
The most clichéd things you can possibly associate with San Francisco are the Golden Gate Bridge and fog over the bay, but looking out at the bridge in a thick fog from Kirby Cove, with the skyline of the city peeking through, is just as magical as it is stupidly clichéd. Although you have to make your way to the Marin Headlands to experience this view, the Kirby Cove campgrounds are well worth the adventure into that home base of the anti-vaccination movement, just for their gorgeous view of the city.
It’s hard to imagine an experimental Danish documentary siphoning off too much Best Actor attention. But make no mistake: in The Ambassador, Mads Brugger -- who, as both featured performer in and auteur of films which seek to capture reality through fiction, is sort of the Euro film festival equivalent of Sasha Baron Cohen, when Cohen was interesting -- gives what has to be one of the riskiest and most committed performances of the year. A document of a lie created in order to tell the truth, The Ambassador begins with Brugger purchasing a diplomatic title on the black market in order to travel to the Central African Republic (CAR) in the guise of an ambassador to Liberia. To his title brokers and to his new African associates, Brugger claims his goal is to use his perceived position (and bribes, secretly funded by the Danish Film Institute) to go into business with blood diamond miners, and move the gems out of the country under the cover of diplomatic immunity. Because he needs a business front, Brugger also claims to be building a match factory in the incredibly disadvantaged region -- one staffed by Pygmies. As Brugger tells it, the CAR is "a Jurassic Park for people who long for the Africa of the 1970s," making it "a magnet for white men with hidden agendas." The Ambassador bursts out of the gate and then slows into an endurance exercise, for Brugger and the viewer: How long will he be able to pull this off? You watch both fearing that something spectacularly tragic could happen, and knowing that if this film exists, it probably didn’t. The magic of Brugger’s performance is that it earns that suspension of disbelief.
Wed., Sept. 5, 7 & 9 p.m., 2012
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"