When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Of all the pizzas made in North Beach, perhaps none are made as fondly (or with as much flair) as those of pizza maestro Tony Gemignani, owner of Tony's Pizza Napoletana and recent top dog of the World Pizza Championships in Italy.
Artist Chris Ballantyne grew up as a military brat, and he knows the unique attractions of suburban slumber. His paintings evoke the Zenlike stillness of dead afternoons spent loping around manufactured landscapes with only the tsk-tsk of faraway sprinklers breaking the silence. "Our ideas of nature and landscape are written into city zoning codes with specific ratios of grass and trees," Ballantyne says in his artist's statement. His point is elegantly revealed visually in works such as 2003's Berm, which features a grassy, tree-filled traffic island standing lonely in an empty parking lot. He has a thing for culverts, lawns, and kidney-shaped pools, as well as kidney-shaped holes next to kidney-shaped piles of excavated earth. His landscapes are transformed by humans but bereft of them, and his work is extremely quiet and delicately rendered. But it's not all about suburbia's architectural sameness: He brings that same stillness to the ocean, whether it's through surfers bobbing in the water next to a jetty or a fully loaded ship traversing a quiet expanse of ocean.
Aug. 10-Sept. 12
Sub Pop recording artists 'clipping.' brought their brand of noise-driven experimental hip hop to the closing night of 2016's San Francisco Electronic Music Fest this past Sunday. The packed Brava Theater hosted an initially seated crowd that ended the night jumping and dancing against the front of the stage. The trio performed a set focused on their recently released Sci-Fi Horror concept album, 'Splendor & Misery', then delved into their dancier and more aggressive back catalogue, and recent single 'Wriggle'.
Opening performances included local experimental electronic duo 'Tujurikkuja' and computer music artist 'Madalyn Merkey.'"