Burn the Floor. It's been said that true moments of joy come mostly through two acts: sex and dancing. Burn the Floor combines both, as 16 hard-bodied, high-energy performers spin, thrust, and grind their way through one show-stopping number after another. This is not your grandma's ballroom dance, and choreographer and artistic director Jason Gilkison puts together routines that are always entertaining to watch. The weakest numbers come whenever things slow down and the dance relies on a true connection between two or more people, something that never materializes onstage. But Gilkison knows enough about his two-hour event to keep these moments sparse, and instead builds the evening around explosive group numbers, like a swing-club–inspired sequence or a tribute to Tina Turner. These pieces are the heart of the show, and you can't help but get caught up in the energy, talent, and sheer love of dancing radiating from the stage. Through March 19 at Post Street Theatre, 450 Post (at Powell), S.F. $49-$100; 771-6900 or www.burnthefloor.com. (Molly Rhodes) Reviewed Feb. 11.
Tennessee in the Summer. What's intriguing about this play "suggested" by the life of Tennessee Williams is that the playwright is portrayed simultaneously by a man (Daniel Albright) and a woman (Alex Alexander). They embody an angel-devil–like conflict within the Pulitzer-Prize–winning writer that results in his rampant alcohol and pill abuse, anxiety, self-loathing, and excessive whoring around. Plenty of stage time is devoted to Williams' long and rocky romantic relationship with Frank Merlo. In this imagined depiction, Williams is repeatedly adulterous and emotionally abusive, painting quite an unsympathetic central character. The brief moments featuring his mother, Edwina, and sister, Rose — who received a lobotomy in a sanitarium — serve to underscore his persistent fear of going insane. Merlo even refers to him as a "19th-century hypochondriac." What's tedious about Joe Besecker's script is that there is no character arc; Williams' character is a mess at the beginning and a mess at the end. The result is an imagined and clichéd portrait of a writer crippled by sex, doubt, and drugs. In the end, the female side of Williams warns the male side, "Don't fall into the myth of the tortured artist." Unfortunately, this play wants to perpetuate just that. Through March 1 at New Conservatory Theatre Center, 25 Van Ness (at Fell), S.F. $22-$40; 861-8972 or www.nctcsf.org. (Nathaniel Eaton) Reviewed Feb. 11.
Angry Black White Boy: Dan Wolf's adaptation of the Adam Mansbach novel returns for a limited engagement. Through March 8. Intersection for the Arts, 446 Valencia (at 15th St.), 626-3311, www.theintersection.org.
BATS: Sunday Players: Each week Bay Area Theatresports players pit their improv work against all comers as the audience votes them off one by one until the winner stands alone on the stage. Sundays, 7 p.m., $5-$8, www.improv.org. Bayfront Theater, 16 Marina (at Laguna), 474-6776, www.improv.org/shows/bayfront.htm.
Bay One-Acts Festival: Presented by Three Wise Monkeys Theatre Company. Thursdays-Sundays. Continues through March 8. Eureka Theatre, 215 Jackson (at Front), 788-7469, www.eurekatheatre.org.
Beach Blanket Babylon: A North Beach perennial featuring crazy hats, media personality caricatures, a splash of romance, and little substance. Now with Rod Blagojevich! Wednesdays, Thursdays, 8 p.m.; Fridays, Saturdays, 6:30 & 9:30 p.m.; Sundays, 2 & 5 p.m., $25-$80, www.beachblanketbabylon.com. Club Fugazi, 678 Green (at Powell), 421-4222.
Beautiful View: Mitch and Liz fall in love, directed by Cristina Alicea. Starting Feb. 26, Wednesdays-Sundays. Continues through March 15. Theatre Rhinoceros, 2926 16th St. (at South Van Ness), 861-5079, www.therhino.org.
Big City Improv: Actors take audience suggestions and create comedy from nothing. Fridays, 10 p.m., $15-$20, www.bigcityimprov.com. Shelton Theater, 533 Sutter (at Powell), 882-9100, www.sheltontheater.com.
Bitch! Dyke! Faghag! Whore!: Feb. 25-March 7, $20-$50. Brava Theater Center, 2781 24th St. (at York), 641-7657, www.brava.org.
Cuckoo: Madison Clell's play about mental illness, produced by Jump! Theatre. Fridays, Saturdays. Continues through Feb. 28. Phoenix Arts Association Theatre, 414 Mason (at Geary), Suite 601, 989-0023, www.phoenixtheatresf.org.
A Delicate Balance: Edward Albee's play about family life. Wednesdays-Saturdays. Continues through March 7. The Custom Stage, 965 Mission (at Sixth St.), 800-838-3006, www.custommade.org.
An Evening with Groucho: Starring Teatro Zinzanni's Frank Ferrante. Sat., Feb. 28, 5 & 8 p.m., $30-$36. Jewish Community Center of San Francisco, 3200 California (at Presidio), 292-1200, www.jccsf.org.
A Girl's War: An Armenian-Azeri love story by Joyce Van Dyke. Thursdays-Sundays. Continues through March 8. The Thick House, 1695 18th St. (at Arkansas), 401-8081, www.thickhouse.org.
Landscape of the Body: John Guare's musical set in New York and the stars. Wednesdays-Saturdays. Continues through March 7. SF Playhouse, 533 Sutter (at Powell), 677-9596, www.sfplayhouse.org.
La Belle Hélène: Pocket Opera's production of Jacques Offenbach's opera. Starting March 1, Sundays. Continues through March 8. Legion of Honor, 100 34th Ave. (at Clement), 863-3330, www.thinker.org.
Love, Humiliation, and Karaoke: Enzo Lombard plays more than 10 characters in his one-man take on everything from gay marriage to psychic classes. Directed by W. Kamau Bell. Thursdays, 8 p.m. Continues through Feb. 26. Stage Werx, 533 Sutter (at Powell), 730-3433, www.stagewerx.org.
The Model Apartment: Donald Margulies' play about a couple's life in Florida after surviving the Holocaust. Feb. 26-April 5. Traveling Jewish Theatre, 470 Florida (at Mariposa), 522-0786, www.atjt.com.
Not a Genuine Black Man: Brian Copeland returns for another go-around. Through March 25. The Marsh, 1062 Valencia (at 22nd St.), 826-5750, www.themarsh.org.
Philistines: American Conservatory Theater's MFA students take on Maxim Gorky's drama. Thursdays-Sundays. Continues through Feb. 28. Zeum Theater, 221 Fourth St. (at Howard), 820-3320, www.zeum.org/visitor/zeumTheater.html.
Pure Shock Value: Killing My Lobster riffs on the film industry. Starting Feb. 26, Thursdays-Sundays. Continues through March 22. Exit Theatre, 156 Eddy (at Taylor), 931-1094, www.sffringe.org.
Rabbi Sam: Charlie Varon's drama about a rabbi who reinvents Judaism. Thursdays-Saturdays. Continues through April 5. The Marsh, 1062 Valencia (at 22nd St.), 826-5750, www.themarsh.org.
SF Follies: Name that reference in John Bisceglie's tale of the city. Thursdays-Saturdays, 8 p.m. Continues through April 5, $35-$40, www.sffollies.com. Actors Theatre San Francisco, 855 Bush (at Taylor), 345-1287, www.actorstheatresf.org.
Skin: Steve Yockey's play about passion and infidelity. Starting Feb. 26, Thursdays-Saturdays. Continues through March 21. Climate Theater, 285 Ninth St. (at Folsom), 263-0830, www.climatetheater.com/.
Souvenir: A Fantasia on the Life of Florence Foster Jenkins: Stephen Temperley's musical about a tone-deaf diva. Through March 15. American Conservatory Theater, 415 Geary (at Mason), 749-2228, www.act-sfbay.org.
Teatro ZinZanni's License to Kiss: Sabine Hettlich stars in the espionage thriller, with a side of dinner. Wednesdays-Sundays, $116-$190, 438-2668, www.zinzanni.org. Pier 29, Embarcadero (at Battery).
Waitin' 2 End Hell: William A. Parker's take on modern relationships. Thursdays-Sundays. Continues through March 1. Lorraine Hansberry Theatre, 777 Jones (at Sutter), 345-3980, www.lhtsf.org.
Where the Sidewalk Ends: Starting Feb. 26, Thursdays-Saturdays. Continues through March 21. Boxcar Playhouse, 505 Natoma (at Sixth St.), 776-1747, www.boxcartheatre.org.
Wicked: The Tony Award–winning musical. Tuesdays-Sundays. Continues through June 27. Orpheum Theater, 1192 Market (at Eighth St.), 551-2000.